Painting Iterations

From September to December, I have focused much of my studio work on developing four large 5' x 6' paintings. The starting point for each is a piece of text which is then painted in and through, dissolving and returning, until it rests in a solid place and seems to be complete. Most of these are still in progress. 

Why?

Why?

In acknowledging the mutability of history, we give up the ground upon which we stand and then we are moving through an indeterminate, fluid space. 

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